
Record of a Tenement Gentleman(1947)
An errant salaryman's son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who's reluctant to let the kid board.



Toshirō Mifune
Matsugorō Tomishima

Hideko Takamine
Yoshiko Yoshioka

Hiroshi Akutagawa
Capitaine Kotaro Yoshioka

Chōko Iida
Otora

Chishū Ryū
Toyozo Yuki

Haruo Tanaka

Jun Tatara

Seiji Miyaguchi

Ichirō Arishima

Bokuzen Hidari
The Rickshaw Man is a drama, comedy film released in 1958 exploring themes of widow, remake, rickshaw, father figure, social differences, drunkenness. Directed by Hiroshi Inagaki, it stars Toshirō Mifune, Hideko Takamine, Hiroshi Akutagawa. A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.
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An errant salaryman's son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who's reluctant to let the kid board.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

Phillip is a wealthy quadriplegic who needs a caretaker to help him with his day-to-day routine in his New York penthouse. He decides to hire Dell, a struggling parolee who's trying to reconnect with his ex and his young son. Despite coming from two different worlds, an unlikely friendship starts to blossom.

Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

In a small Japanese village at the end of the 19th century, a rickshaw driver's wife takes on a much younger lover and the two conspire to murder him.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can't handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.

The mother of a feudal lord's only heir is kidnapped by the lord. Her husband and his samurai father must decide whether to accept the unjust decision, or risk death to rescue her.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.