The Royle Family

Sitcom about a small-time dope dealer and his strange collection of acquaintances.

A working-class family struggles to get by on a limited income in the fictional town of Lanford, Illinois.

Only Fools and Horses.... Is a British sitcom created and written by John Sullivan. Seven series were originally transmitted on BBC One from 1981 to 1991, with sixteen sporadic Christmas specials aired until 2003. In working-class Peckham in south-east London, ambitious market trader Derek 'Del Boy' Trotter and his younger half-brother Rodney, explore their highs and lows in life, in particular their attempts to get rich. Initially not an immediate hit and receiving little promotion early on, it later achieved consistently high ratings, and the 1996 episode "Time on Our Hands" (originally billed as the series finale) holds the record for the biggest UK audience for a sitcom episode, attracting 24.3 million viewers. The series bears a significant influence on British culture, contributing several words and phrases to the English language.

Archie Bunker, a working class bigot, constantly squabbles with his family over the important issues of the day.

Life’s good for deliveryman Doug Heffernan, until his newly widowed father-in-law, Arthur, moves in with him and his wife Carrie. Doug is no longer the king of his domain, and instead of having a big screen television in his recently renovated basement, he now has a crazy old man.

Al Bundy is an unsuccessful middle aged shoe salesman with a miserable life and an equally dysfunctional family. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.

Jim is the typical all-American guy — a macho "everyman" — with a soft spot for his beautiful wife and children. Jim's boyish bravado and humorous antics keep a certain level of turmoil in their home, but there's never a doubt that this "opposites attract" couple are in their marriage for keeps!

A comedy about two young couples and their outrageously contrasting views on parenting. Greg and Kim Warner struggle on a daily basis to become perfect at the job. Kim is a neurotic, stay-at-home mother, and although her husband, Greg, is a success in his career, his more difficult job is keeping his wife calm as they raise their two young children. While Kim is determined to be the perfect mother and perfect wife and to raise the perfect children, her sister, Christine Hughes, a very down-to-earth mother of two, continually reminds her that life will never be perfect. Christine's husband, Jimmy, often feels compelled to share with his brother-in-law his philosophy about being a husband and a parent while still remaining a man.

After 18 years of marriage, high school sweethearts Bill and Judy Miller still make each other laugh and try to keep their marriage intact, even when their family pulls them in different directions. Since Bill has a far more immature approach to marriage and raising their three children than Judy does, they work at striking a balance and remembering why they love each other, quirks and all.

The daily trials and tribulations of handyman Tim Taylor, a TV show host raising three boys with help from his loyal co-host, domineering wife, and unseen neighbor.

The daily mishaps of a married woman and her semi-dysfunctional family and their attempts to survive life in general in the city of Orson, Indiana.

The Pritchett-Dunphy-Tucker clan is a wonderfully large and blended family. They give us an honest and often hilarious look into the sometimes warm, sometimes twisted, embrace of the modern family.

Thelma Harper and her spinster sister Fran open their home to Thelma's recently divorced son Vinton and his teenage son and daughter. It's quite an adjustment for everyone, especially the cranky, argumentative Thelma.

Still Open All Hours is a sitcom set in a grocer's shop. It is a sequel to the series Open All Hours, written by original series writer Roy Clarke and featuring several of the permanent cast members of the original series

A family man struggles to gain a sense of cultural identity while raising his kids in a predominantly white, upper-middle-class neighborhood.