
Fire at Sea(2016)
Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.


“In the last thirty years, millions of spectators have vanished - Inquiry on a great Italian mystery”
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Roberto Andò
Self

Francesca Archibugi
Self
Sandro Baldoni
Self

Marco Bellocchio
Self

Silvio Berlusconi
Self
Franco Bernini
Self

Bernardo Bertolucci
Self

Esmeralda Calabria
Self
Luciana Castellina
Self

Liliana Cavani
Self
What Do You Know About Me is a documentary film released in 2009. Directed by Valerio Jalongo, it stars Roberto Andò, Francesca Archibugi, Sandro Baldoni. Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
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Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.

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