From the famous Turkish journalist, Can Dündar narrates the last 300 days of Mustafa Kemal Atatürk. The documentary features the stories and mails from the friends of Atatürk who is the founder of Turkish Republic and also led the Turkish army in the Turkish War of Independence
Mustafa Kemal Atatürk
Self (archive footage)
Can Dündar
Narrator
Mehmet Atay
Narrator
Ecder Akışık
Narrator
Sarı Zeybek is a documentary, history film released in 1993 exploring themes of atatürk. Directed by Can Dündar, it stars Mustafa Kemal Atatürk, Can Dündar, Mehmet Atay. From the famous Turkish journalist, Can Dündar narrates the last 300 days of Mustafa Kemal Atatürk. The documentary features the stories and mails from the friends of Atatürk who is the founder of Turkish Republic and also led the Turkish army in the Turkish War of Independence
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A friendship started in childhood in Thessaloniki firstly turned into being comrade in arms and then a half-century brotherhood and fraternity following the same ideals until the death upon proclamation of the Republic; Ataturk & Salih Bozok Veda Ataturk (The Farewell Ataturk) is the story of a brotherhood, portrayal of milestones in Ataturk's life and the story of a commander commanding a generation that challenged the death to save the homeland.
The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.