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I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

19766.12h 10m

Overview

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

Directed by René Allio
Written by Jean Jourdheuil, Michel Foucault, René Allio
0

Top Cast

C

Claude Hébert

Pierre Rivière

J

Jacqueline Milliere

Meme Rivière

J

Joseph Leportier

Mr. Rivière

A

Annick Gehan

Aimée

François Regnault

François Regnault

Cast member

Themes & Keywords

infidelityphilosophybased on true storypunishmentmurderfamily conflictpower relationsparricide

About I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother… is a crime, drama film released in 1976 exploring themes of infidelity, philosophy, based on true story, punishment, murder, family conflict. Directed by René Allio, it stars Claude Hébert, Jacqueline Milliere, Joseph Leportier. Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

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