
Stop-Loss(2008)
A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.


In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.
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Satoshi Tokushige
Kapitän Nakanishi

Yosuke Kubozuka
Leutnant Bando

Michitaka Tsutsui
Leutnant Tabata

Keiko Kishi
Tome Torihama

Mikako Tabe
Reiko Torihama

Yasuyuki Maekawa
Kaneyama

Tomoya Nakamura
Soichi Kawai

Dai Watanabe
Staff Sergeant Kato
Noboru Kimura
Second lieutenant Abe
Ren Hulk
Sergeant first class Matsumoto
For Those We Love is a war, drama film released in 2007. Directed by Taku Shinjo, it stars Satoshi Tokushige, Yosuke Kubozuka, Michitaka Tsutsui. In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.
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