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The Only Son

The Only Son

19367.41h 27m

Overview

A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

Directed by Yasujirō Ozu
Written by Yasujirō Ozu, Tadao Ikeda, Masao Arata
0

Top Cast

Chōko Iida

Chōko Iida

Tsune Nonomiya

Shinichi Himori

Shinichi Himori

Ryosuke Ninomiya

Masao Hayama

Masao Hayama

Young Ryosuke

Yoshiko Tsubouchi

Yoshiko Tsubouchi

Sugiko

Mitsuko Yoshikawa

Mitsuko Yoshikawa

Otaka

Chishū Ryū

Chishū Ryū

Teacher Okubo

Tomoko Naniwa

Tomoko Naniwa

Okubo's Wife

B

Bakudan Kozo

Okubo's Son

Tomio Aoki

Tomio Aoki

Tomio

E

Eiko Takamatsu

Jokou

Themes & Keywords

parent child relationshiptokyo, japan1930s

About The Only Son

The Only Son is a drama film released in 1936 exploring themes of parent child relationship, tokyo, japan, 1930s. Directed by Yasujirō Ozu, it stars Chōko Iida, Shinichi Himori, Masao Hayama. A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

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The Insect Woman
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A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

A Hen in the Wind
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Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.

An Autumn Afternoon
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Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Good Morning
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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

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In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

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Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.