
Nobody Knows(2004)
In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.


Six directors picked a favorite song by Japanese punk rock band "The Blue Hearts" and made a short film inspired by the song.

Kiko Mizuhara
(segment “Frozen Expectations”)

Masatoshi Nagase
(segment “Frozen Expectations”)
Yuu Fujisaki
(segment “Frozen Expectations”)

Machiko Ono
(segment “Hammer”)

Akihiro Kakuta
(segment “Hammer”)

Minori Hagiwara
(segment “Hammer”)

Sairi Ito
(segment “Hammer”)

Hisashi Yoshizawa
(segment “Hammer”)

Kimiko Yo
(segment “Hammer”)

Hayato Ichihara
(segment “Be Kind To Others”)
The Blue Hearts is a drama film released in 2017 exploring themes of japan. Directed by Shinichi Kudo, it stars Kiko Mizuhara, Masatoshi Nagase, Yuu Fujisaki. Six directors picked a favorite song by Japanese punk rock band "The Blue Hearts" and made a short film inspired by the song.
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In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don't know the real reason they're visiting -- and the catch is, neither does Rudi...

In the aftermath of a major earthquake, scientists predict that Japan will sink into the sea. As further disasters follow, politicians plead with other countries to take refugees, while scientists struggle to save Japan itself.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.

Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.

Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.

The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.