We All Loved Each Other So Much

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

In 1944 Tuscany, a group of boxers struggling through World War II stages rigged matches to earn money and travel, accompanied by a missing black American soldier and a girl resisting marriage, as they navigate the challenges of their war-torn world.

A dark comedy centering on the lives of a Neapolitan based family whose father, a fish merchant, is so infatuated with the reality TV show "Grande Fratello" (the Italian version of "Big Brother") he starts living his life as if he were on it.

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

When theatre actor Giuliano receives an unexpected visit from his childhood friend Tommasso, the encounter is bittersweet. This reunion is their first meeting in many years, triggered by Giuliano’s failing health and his decision to forgo treatment. Instead he is focussed on putting his affairs in order: distributing possessions, reconciling past disputes, and, most importantly, finding a home for his beloved canine, Pato. Over four days, the two men walk the streets of Rome, visiting bookshops, restaurants, veterinarians and friends, examining their lives and speculating on what the future holds.

Amanda, 24, lives mostly isolated and has never had any friends, even if it's the thing she wants the most. Amanda chooses her new mission as to convince her childhood friend to believe that they are still best friends.

An aimless young troublemaker, Alessandro, squanders his days gambling and getting into fights, and he often spends his nights in jail. With few prospects, he begrudgingly accepts a job as a companion to Giorgio, an elderly poet suffering from Alzheimer’s. On their daily walks, the two banter and become friends, and Alessandro quickly learns more about this forgotten poet as the old man’s memory drifts. After learning a secret from Giorgio’s past, Alessandro and his friends work to uncover the mystery of this tale, an unexpected history lesson and a touching coming-of-age adventure.

Like all sixteen-year-olds, Leo prefers the company of friends, motorbike rides and music to school. None of the teachers seem to be able to arouse his interest until the arrival in his class of a young history and philosophy substitute who, with his modern methods, helps him see the world with different eyes. In love with Beatrice, the ethereal girl of his dreams, Leo divides the world by colours. Beatrice is the red of love but he is forced to confront his own beliefs and fears when he discovers that the girl is suffering from leukemia, a disease that he links to white, a symbol of emptiness and loss.

Two mental patients with opposite personalities ditch their Tuscan hospital and embark on an unpredictable exploration of the real world.

15 years after that fateful card game on Christmas Eve, Franco gets his onetime friends back at the poker table for the rematch and a long-awaited payback.

Irene lives in Rome. When her mother ask to, she go back to Rimini, her hometown, to take care of her autistic brother, Omar. She soon discover that Omar knows very well what to expect from the future, but in order to achieve his dreams, he need to be independent, which is why Irene begins a tender crash course to teach him adult life.

Rome, summer 1943. Four children play war while the bombs of real war explode around them. Italo is the rich son of the Federal, Cosimo has his father in confinement and an atavistic hunger, Vanda is an orphan and a believer, Riccardo comes from a wealthy Jewish family. They are different but they don't know it and between them "the greatest friendship in the world" is born, impervious to the divisions of history that bloodies Europe. But on October 16 the Jewish boy is taken away by the Germans together with over a thousand people from the Ghetto. Thanks to Italo's father Federale, the three friends believe they know where he is and, to honor the "spit pact", decide to leave in secret to convince the Germans to free their friend. Yet another imaginative mission becomes reality, the three children travel alone in an Italy exhausted by war, among disbanded soldiers, deserters, occupying German troops, exhausted and hungry populations.

A man in his mid-20s, still living at home with his mother and stepfather, puts all his eggs in one basket: the girl who works at his local coffee shop. The problem is, she has a serious boyfriend. As they become closer, the line between friendship and intimacy is blurred, and the situation forces both to examine where they are in their lives.

A group of suburban teenagers try to support each other through the difficult task of becoming adults.

Eric returns home for a short visit and finds himself caught between reuniting with his sisters and chasing a victory with his old poker group. As the trip extends, Eric finds it increasingly difficult to avoid confrontations and revelations as his carefully constructed façade of his adulthood gives way to old childhood conflicts.