
Never Weaken(1921)
A young man schemes to drum up business for his girlfriend's employer but after seeing her being intimate with another man, he attempts to commit suicide.


“Come and See the Enormous Giant, 8ft. 9in. high, who helps Harold Quell a Revolution in Six reels of the cleverest and funniest humor imaginable.”
A hypochondriac vacations in the tropics for the fresh air - and finds himself in the middle of a revolution instead.

Harold Lloyd
Harold Van Pelham

Jobyna Ralston
The Nurse

John Aasen
Colosso

Wally Howe
The Valet

James Pier Mason
Jim Blake

Leo White
Herculeo

Gaylord Lloyd
Man

Mark Jones
Mounted Captain

William Gillespie
Ship's Officer (uncredited)

Sam Lufkin
Soldier (uncredited)
Why Worry? is a comedy film released in 1923 exploring themes of silent film. Directed by Fred C. Newmeyer, it stars Harold Lloyd, Jobyna Ralston, John Aasen. A hypochondriac vacations in the tropics for the fresh air - and finds himself in the middle of a revolution instead.
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A young man schemes to drum up business for his girlfriend's employer but after seeing her being intimate with another man, he attempts to commit suicide.

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.

Roscoe and Buster give a bullying Strongman the what-for, but after the performance troupe quits it's up to Fatty and Buster to keep the show going.

Al and Roscoe, employees at a gas station, are rivals for Alice. When Buster delivers a wedding gown for Alice and begins modeling it, he is mistaken for Alice and is kidnapped by Al.

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.

Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.

A photographer takes up newsreel shooting to impress a secretary.

A European immigrant endures a challenging voyage only to get into trouble as soon as he arrives in New York.

Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.