The First Monday in May

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Debbie Ocean, a criminal mastermind, gathers a crew of female thieves to pull off the heist of the century at New York's annual Met Gala.

A woman must steal a statue from a Paris museum to help conceal her father's art forgeries.

A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.

After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.

A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.

Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.