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What She Said: The Art of Pauline Kael

What She Said: The Art of Pauline Kael

20196.71h 38m

Overview

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

Directed by Rob Garver
Written by Rob Garver
Produced by Glen Zipper
0

Top Cast

Sarah Jessica Parker

Sarah Jessica Parker

Pauline's Voice Over

Quentin Tarantino

Quentin Tarantino

Self

David O. Russell

David O. Russell

Self

Alec Baldwin

Alec Baldwin

Self

Francis Ford Coppola

Francis Ford Coppola

Self

Paul Schrader

Paul Schrader

Self

John Boorman

John Boorman

Self

Robert Towne

Robert Towne

Self

J

Joe Morgenstern

Self

J

James Wolcott

Self

About What She Said: The Art of Pauline Kael

What She Said: The Art of Pauline Kael is a documentary film released in 2019. Directed by Rob Garver, it stars Sarah Jessica Parker, Quentin Tarantino, David O. Russell. Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

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