I Was Born, But...

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.

A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Bright young student Raymond Aibelli is forced to sidetrack an important medical internship because his mother, Susan, is recovering from a broken leg. When he isn't tasked with the most mundane aspects of Susan's recuperation, Raymond finds distraction in a neighborhood girl, Toni Peck. But, as Susan begins relying on her son for both physical and emotional needs, Raymond starts developing disturbing and unwanted new yearnings.

In an effort to tap into his original talent, a wheelchair-bound author moves to a rural town, where he befriends a single mother and her three kids, who help reignite his passion for writing.

The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.

After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.

Momoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

Told through the eyes of sticky-fingered eight-year-old boy Big Ears, Echoes of the Rainbow takes place in a close-knit grassroots community in 1960s Hong Kong. Big Ears' mother and father run the neighborhood shoe store, and his older brother Desmond is every family's dream son - an outstanding athlete with grades worthy of Hong Kong's best school.

Al and Roscoe, employees at a gas station, are rivals for Alice. When Buster delivers a wedding gown for Alice and begins modeling it, he is mistaken for Alice and is kidnapped by Al.

In New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in the apartment the couple owns.

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.