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Menschenfrauen

Menschenfrauen

19806.32h 12m

Overview

Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.

Directed by Valie Export
Written by Peter Weibel
Produced by Valie Export
0

Top Cast

E

Elly Naschold

Lukas Resetarits

Lukas Resetarits

Klaus Wildbolz

Klaus Wildbolz

Franz

Susanne Widl

Susanne Widl

Anna Sand

M

Maria Martina

Gertrud

R

Renée Felden

Elisabeth

C

Christiane von Aster

Themes & Keywords

feminismwoman director

About Menschenfrauen

Menschenfrauen is a drama, tv movie film released in 1980 exploring themes of feminism, woman director. Directed by Valie Export, it stars Elly Naschold, Lukas Resetarits, Klaus Wildbolz. Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.

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