Sioux Ghost Dance

Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

In 1825, English peer Lord John Morgan is cast adrift in the American West. Captured by Sioux Indians, Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. He eventually passes the many necessary tests that will permit him to become a member of the tribe.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West, and the Sioux tribe he left behind, Morgan returns to the their land only to discover that they've been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

The story of U.S. Army commander George Armstrong Custer, a flamboyant hero of the Civil War who later fought and was exterminated with his entire command by warring Sioux and Cheyenne tribes at the battle of Little Big Horn in 1876.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

Kansas, 1868. A wagon train is attacked by a band of Lakota Sioux led by the young and athletic warrior Tokalah. The attractive, red haired Anna Brewster-Morgan and her friend Sarah White are on this wagon train too. When Tokalah noticed a terrified Anna with a Bible, he thinks this is an omen. Despite killing the other passengers of the wagon train, only Anna and Sarah may continue their voyage. The next day Anna and Sarah are kidnapped by Tokalah. At first terrified of her captors, the unhappily married Anna eventually falls in love with the noble, honorable Tokalah. After a year's captivity, Sarah is returned to her own people. Anna now must choose between her new life with Tokalah and her previous existence as the wife of farmer Daniel Morgan.

When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.

A scout leading a wagon train through hostile Indian country gets involved with a Sioux chief's daughter.