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The Virgin of Lust

The Virgin of Lust

20026.82h 31m

Overview

In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?

Directed by Arturo Ripstein
Written by Max Aub, Paz Alicia Garciadiego
0

Top Cast

Juan Diego

Juan Diego

Gimeno-Mikado

Ariadna Gil

Ariadna Gil

Lola

Luis Felipe Tovar

Luis Felipe Tovar

Nacho

Patricia Reyes Spíndola

Patricia Reyes Spíndola

Raquel

Julián Pastor

Julián Pastor

Don Lázaro

Alberto Estrella

Alberto Estrella

Gardenia

Daniel Giménez Cacho

Daniel Giménez Cacho

Toledano

Eligio Meléndez

Eligio Meléndez

Don Nemesio

Carmen Madrid

Carmen Madrid

Imelda

Carlos Chávez

Carlos Chávez

Ezequiel

Themes & Keywords

virginsexual fetishmaster-slave relationship

About The Virgin of Lust

The Virgin of Lust is a drama, fantasy, romance film released in 2002 exploring themes of virgin, sexual fetish, master-slave relationship. Directed by Arturo Ripstein, it stars Juan Diego, Ariadna Gil, Luis Felipe Tovar. In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?

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